- Dates from the 70’s but won on eBay, September 2006 (as detailed here)
- 50W valve head, in the vein of HiWatt and Marshall
- Originally single-channel but since modified by Trev of Tipton Amps:
- 2 inputs now voiced separately - one as originally intended, the other as a Marshall JCM800
- Daughterboard with an extra preamp valve for more crunch
- Master volume (fitted years ago) reconnected
- Independent volume controls
- Haven’t had a chance to try this amp in anger yet, but I’m reliably informed that it sings, growls, barks and bites… like a musically-talented rottweiler, I guess… ***UPDATE*** I can confirm that this amp is LOUD, with a capital “L”
- Built from a sheet of 18mm plywood
- 2 x 12″ Celestion G12H 30W 16R speakers, wired in parallel to give 8R total impedance
- 8R serial extension socket for 16R operation
- Split and hinged rear panel for open- or closed-back use
- Black tolex, black grill cloth, huge side handles and nickel corner protectors
Behringer V-Amp 2
- Desktop amp modeller/multi FX
- Used for noodling, practice and maybe recording (in the future)
ScrewFix special pedalboard
- Single layer pedalboard contained in 9″ angle grinder case from ScrewFix
- Remote powering/signal send & return by 4-way multicore cable
- FX chain:
- Behringer AB200 Dual A/B Switch.
- Ibanez LU10 tuner
- Dunlop Cry-baby wah
- Behringer DC9 Dynamics Compressor
- Keeley/Boss "Seeing Eye" DS-1 Distortion
- Ibanez Stereo Chorus (only used in mono mode)
- Behringer NR100 Noise Reducer
- Digitech X-Series Digital Delay (again, used in mono)
- Back to AB200 Dual A/B switch
- Twin outputs to Carlsbro 50 Top
